Our world, little brother, is an amoxtlalpan, a land of books. In the jungles where the jaguar dwells, the Mayas make books. In the mountains the cloud people, the Mixtecs, make them as well. So do
others in the coast and in the forests. And we the Mexica of the mighty Aztec empire, who dwell in the valley of the volcanoes, make them too. A young Aztec girl tells her little brother how their
parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the
codices to tell the story of their people’s way of life, documenting their history, science, tributes, and sacred rituals. Inspired by the pre-Columbian codices, this story tells how—contrary to the
historical narrative that European colonizers bestowed “civilization” and knowledge to the Americas—the Aztec and their neighbors in the Valley of Mexico painted books and records long before
Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after the Spanish Conquest.
Our world, little brother, is an amoxtlalpan, a land of books. In the jungles where the jaguar dwells, the Mayas make books. In the mountains the cloud people, the Mixtecs, make them as well. So do
others in the coast and in the forests. And we the Mexica of the mighty Aztec empire, who dwell in the valley of the volcanoes, make them too. A young Aztec girl tells her little brother how their
parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the
codices to tell the story of their people’s way of life, documenting their history, science, tributes, and sacred rituals. Inspired by the pre-Columbian codices, this story tells how—contrary to the
historical narrative that European colonizers bestowed “civilization” and knowledge to the Americas—the Aztec and their neighbors in the Valley of Mexico painted books and records long before
Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after the Spanish Conquest.
Editorial Reviews
Editorial Reviews
“Carolina Hoyos expertly and lovingly narrates this astounding audiobook…Hoyos narrates clearly, especially the words in Nahuatl, which is impressive. Hoyos’s narration brings warmth to this story…Gentle sound effects and soft music are present throughout the production, enhancing the listening experience. Winner of the AudioFile Earphones Award.” —AudioFile
“A cultural gift to readers.” —School Library Journal (starred review)
“A loving and layered examination of culture, values, and the stories that shape them.” —Bulletin of the Center for Children’s Books
“An author’s note provides historical context, centering the importance of preserving Indigenous art…storytelling, and knowledge.” —Horn Book (starred review)
Duncan Tonatiuh is an award-winning Mexican-American author and illustrator. His books include the Pura Belpre Honor Award winners Dear Primo, Diego Rivera, and
Pancho Rabbit and the Sibert Honor Award winners Separate Is Never Equal and Funny Bones. Born in Mexico, he graduated from Parsons School of Design in New York City. He
is inspired by Pre-Columbian art, and his aim is to create images and stories that honor the past in a way that is relevant today.
Details
Details
Format:
CD
Format:
MP3 CD
Available Formats :
CD, MP3 CD
Category:
Fiction
Publisher:
Dreamscape Media
Publisher:
Dreamscape Media
CDs:
1
CDs:
1
Runtime:
0.43
ISBN:
9798212986007
ISBN:
9798212999892
Purchased:
0 copies
Purchased:
0 copies
Audience:
Children (8–12)
Language:
English
AE Catalog ID:
N/A
AE Catalog ID:
N/A
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